Zoran Dukic

Friday, March 1, 2019, at 7:30 PM

Symphony Space, 2537 Broadway at 95th Street, New York City


The Croation master, a double winner of the Andrés Segovia International Guitar Competition, acclaimed equally for his interpretations of Bach and of Barrios, Piazzolla, Bogdanovic, and beyond

“Both technical brilliance and tenderness, with the artistic potential and expressive power of life itself” — Kölnische Rundschau



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Program:
BACH Siciliana, BWV 1001
PIAZZOLLA Invierno Porteño
BACH Andante, BWV 1003
PIAZZOLLA Adios Noniño
BACH Largo, BWV 1005
PIAZZOLLA Muerte de Angel
BACH Sarabande, BWV 1004
DOWLAND Forlorn Hope Fancy
GOSS Cinema Paradiso
BOGDANOVIC Lament
BARRIOS Choro de Saudade
PIAZZOLLA Oblivion (arr. Dyens)
ELLINGTON Melancholia


Zoran Dukic is one of the most distinguished classical guitarists of our time. His concert performances, both as a soloist or with an orchestra, leave long-lasting impressions on both audiences and critics.

He graduated from the Music Academy of Zagreb with Darko Petrinjak and completed his studies with Hubert Käppel at the Hochschule für Musik in Cologne.

In his “tour de force” competition years (1990-1997) Zoran Dukic has won an astonishing number of competitions. He is the only guitarist to have won both “Andrés Segovia” competitions, in Granada and in Palma de Mallorca. Showing astounding mastery in a wide variety of musical periods and styles he has also won competitions dedicated to “Fernando Sor”, “Manuel Ponce”, “Manuel de Falla”, “Francisco Tárrega” among others. In the greatest Spanish guitar competition in Madrid, patronized by the Royal Family, he was awarded, in addition to the first prize, the special prize for the best interpretation of Spanish music (first time awarded to a non-Spaniard).

Though he considers the music by J. S. Bach is still the focal point of his musical life, he has inspired numerous composers to dedicate their works to him. His premiers of new music are strengthened by his admiration of contemporary musical expression. His programs include new works by Takemitsu, Henze, Reily, Carter or Gubaidulina among many others.

He enjoys a special affinity for Spanish and South American musical idiom, the core repertoire of classical guitar. Currently, his carefully balanced programs present a range of music from Bach to Britten, from Sor to Albéniz, from Tárrega to Villa-Lobos and Brouwer.