Welcome to the New York City Classical Guitar Society

2017–18 Season


Guitar Orchestra Concert

NYC Guitar Orchestra Winter Concert

Saturday, December 16, 2017, at 7:30 PM
The Secret Theatre
44-02 23rd St (between 44th Road and 44th Avenue)
Long Island City, New York

PAT IRWIN Unsung Hymn for a Friend
JOSHUA EUSTIS How Slowly, All of a Sudden
CLARICE ASSAD Magnetic Trance
TANIKAWA TAKUMA Mist
JOSEPH PARISI Guitar Brigade

International Artist Series

At Symphony Space. Concerts start at 7:30 PM.

Newman & Oltman Guitar Duo: 40th Anniversary Retrospective

Friday, January 19, 2018, at 7:30 PM

World renowned for phenomenal musicianship, matchless technique, and extraordinary stylistic breadth, celebrating 40 years of performing together

“Extremely deft and musically satisfying; wonderfully fresh.” — Soundboard

Fabio Zanon

Friday, March 9, 2018, at 7:30 PM

A true cosmopolitan, a Brazilian master at home in the concert halls of four continents; the 1996 winner of both the GFA and Francisco Tarrega International Competitions

“A member of the highest echelon of living guitarists … fluent technique, great beauty and variety of sound, finely controlled emotional response, and stylistic sensitivity.” — Gramophone

Special Events

Note the locations and start times for each concert.

Xavier Jara

Thursday, April 5, 2018, at 8:00 PM
Weill Recital Hall at Carnegie Hall

Rose Augustine Grand Prize Winner of the 2016 Guitar Foundation of America’s Solo Artist Competition

Frederic Hand

Tuesday, May 1, 2018, at 8:00 PM
Elebash Hall, CUNY Graduate Center

The renowned guitarist and composer, showcasing his new CD, The Light Through the Trees, with guest artists João Luiz of the Brasil Guitar Duo and members of the CUNY Graduate Center Chamber Music Program

“Frederic Hand is a tremendously skilled and expressive guitarist. But what makes him unique is that he is also one of today’s most fascinating composers, able to weave together a variety of influences, from jazz to Dowland to the avant-garde.” — Guitar Review

Monthly Member Events

On Thursdays at 7:00 PM except where noted

January 2018 Meeting: Newman & Oltman Guitar Duo

Thursday, January 4, 2018, at 7:00 PM

A discussion with Michael Newman and Laura Oltman

A discussion with the Duo as they celebrate their 40th anniversary as an ensemble

February 2018 Meeting: Max Zuckerman

Thursday, February 1, 2018, at 7:00 PM

Making a Guitar Transcription: The Good, the Bad and the Ugly

A crash course in transcription through the lens of Bach’s first keyboard Partita. Breaking down the transcription process into manageable steps and finding the best solutions to seemingly impossible problems.

March 2018 Meeting: Fabio Zanon

Thursday, March 8, 2018, at 7:00 PM

Masterclass

Fabio Zanon will conduct a masterclass

April 2018 Meeting: Martha Masters

Wednesday, April 4, 2018, at 7:00 PM

Topic to be announced

May 2018 Meeting: Diana Castelnuovo-Tedesco

Thursday, May 3, 2018, at 7:00 PM

Memories from my Grandfather

If not for the insistence of Andrès Segovia, Mario Castelnuovo-Tedesco may never have written for the guitar. Today, Castelnuovo-Tedesco’s guitar compositions are among his most celebrated works. Diana reflects on this extraordinary friendship, her grandfather’s admiration for Spanish culture, and the importance of the guitar for the composer during his American years.

Salon Series

At Diller-Quaile School of Music. Concerts start at 7:30 PM.

Frank Wallace

Tuesday, April 24, 2018, at 7:30 PM

The noted guitarist and composer, celebrating his 65th birthday in a program including works by others sharing the St. Cecilia’s Day anniversary (November 22): Benjamin Britten, Joaquin Rodrigo, Julio Sagreras, and more

“A powerful player, possessed of an unfailing musicianship … an almost symphonic range of colors and articulations.” — Soundboard

Luigi Attademo

Tuesday, May 15, 2018, at 7:30 PM

Winner of major competitions, a scholar and explorer of innovative repertoire, in a program marking the 50th anniversary of Mario Castelnuovo-Tedesco’s passing

“Full of Mediterranean fire and foot-tapping rhythms, but in the context of a historically informed journey through the cultural landscape of the guitar’s spiritual home.” — Brilliant Classics